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ABOUT

About

The Remedy and their album Sore deliver something different-something that is neither classic, heavy nor AOR. It’s not power, it’s not prog, it’s not death, it’s not doom/sludge, it’s not thrash, but all time itself has a bit of everything… The Remedy boasts an impressive repertoire that highlights a rich tapestry of musical influences. As you dive into their sound, you’ll discover a seamless fusion of vintage seventies rock, evoking a wave of nostalgia, alongside the thunderous energy of doom metal that resonates powerfully with every chord.

Their music also features traces of modern metal, injecting a fresh, contemporary vibe that enthrals listeners and challenges conventions. But they don’t stop there; the band skilfully weaves in the ferocity of old school thrash and death metal, showcasing their adaptability and commitment to reviving classic metal sounds. Additionally, their dynamic essence shines through in their exploration of dark alt-rock, where haunting melodies and poignant lyrics create a rich emotional landscape.

Ultimately, the band’s ability to navigate these varied genres not only highlights their exceptional talent but also ensures that every listener can uncover something distinctive and captivating within their intricate sonic landscape. Sore is a fruit of art release, as well as the devilmanship, unfolding like a breathtaking tapestry, reminiscent of waves gracefully undulating across the sea. The listener is enamoured by the haunting yet powerful voice of Ilenia “Fenis,” whose vocal prowess strikes a balance between the likes of Doro Pesch, Cristina Scabbia, and Alissa White Gluz.  Ilenia “Fenis” skilfully weaves emotions into her performance, seamlessly shifting between clear, melodic tones and a more guttural style, all while maintaining impeccable diction and a touch of raw allure.

- Atheneus of sin -

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Sinners!

The First Sin, The Strings/Keys: Delivers a blend of alternative, powerful and heavy riffs, complemented by dynamic percussive rhythms and intricate solos. The bass raffs lay down a robust groove that anchors the entire composition. The Second Sin, The Vocals: Involves in female vocals that shifts between clear, melodic tones and gutturals. The Third Sin—The Percussions: The drums propel the music forward with relentless beats and intricate rhythmic patterns.

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